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1.
CHANGE OF LUCK-Main Track-Full Length
02:10
Slow moving, sparse gently building from negative to positive.
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2.
REDEMPTION-Main Track-Full Length
02:13
Dark, sinister atmosphere seamlessly transforms into heroic glory with satisfied end.
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3.
INTRUDERS-Main Track-Full Length
02:38
Delicate, magical waltz interspersed with darker more serious sections.
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4.
RUMINATIONS-Main Track-Full Length
02:53
Dark, agitated orchestra interspersed with skipping piano lines into hopeful interludes.
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5.
TAKEN-Main Track-Full Length
03:26
Reminiscing piano delicately builds with bass clarinet, celeste and strings.
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6.
QUESTIONS AND DOUBTS-Main Track-Full Length
03:42
Delicate, cyclic piano into mysterious, foreboding orchestra. Moments of hope lead to wistful end.
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7.
RENAISSANCE-Main Track-Full Length
02:22
Forlorn, pensive chamber orchestra grows more hopeful to positive end.
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8.
THE SHIPPING REPORT-Main Track-Full Length
02:51
Anxious and apprehensive into reassuring, gently buoyant and beautiful strings theme.
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9.
EVOLVING PHASES-Main Track-Full Length
02:41
Unsure and troubled into moment of hope. Brooding end. Piano and string orchestra.
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10.
COMPLICITE-Main Track-Full Length
02:31
Worried, introspective piano with brief sense of relief before unresolved end.
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11.
CHANGE OF LUCK-Alternative Version-
01:20
Alternative version.
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12.
CHANGE OF LUCK-Others-30s
00:30
30 second cut.
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13.
CHANGE OF LUCK-Others-15s
00:15
Sting.
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14.
REDEMPTION-Alternative Version-
02:13
Alternative version.
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15.
REDEMPTION-Others-30s
00:29
30 second cut.
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16.
REDEMPTION-Others-30s
00:29
Sting.
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17.
INTRUDERS-Alternative Version-
02:32
Alternative version.
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18.
INTRUDERS-Others-30s
00:30
30 second cut.
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19.
INTRUDERS-Others-30s
00:30
Alternative 30 second cut.
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20.
INTRUDERS-Others-10s
00:10
Sting.
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21.
INTRUDERS-Others-10s
00:10
Sting.
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22.
RUMINATIONS-Underscore-
02:29
Orchestral underscore version. (Dark, agitated orchestra interspersed with skipping piano lines into hopeful interludes.)
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23.
RUMINATIONS-Stem-
02:31
Solo piano version. (Dark, agitated orchestra interspersed with skipping piano lines into hopeful interludes.)
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24.
RUMINATIONS-Others-30s
00:30
30 second cut. (Dark, agitated orchestra interspersed with skipping piano lines into hopeful interludes.)
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25.
RUMINATIONS-Others-30s
00:30
Orchestral 30 second cut. (Dark, agitated orchestra interspersed with skipping piano lines into hopeful interludes.)
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26.
RUMINATIONS-Others-10s
00:10
Sting. (Dark, agitated orchestra interspersed with skipping piano lines into hopeful interludes.)
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27.
RUMINATIONS-Others-10s
00:10
Sting. (Dark, agitated orchestra interspersed with skipping piano lines into hopeful interludes.)
-
Solo piano version. (Reminiscing piano delicately builds with bass clarinet, celeste and strings.)
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29.
TAKEN-Others-30s
00:30
30 second cut. (Reminiscing piano delicately builds with bass clarinet, celeste and strings.)
-
30.
TAKEN-Others-30s
00:30
Alternative 30 second cut. (Reminiscing piano delicately builds with bass clarinet, celeste and strings.)
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31.
TAKEN-Others-10s
00:10
Sting. (Reminiscing piano delicately builds with bass clarinet, celeste and strings.)
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32.
TAKEN-Others-10s
00:10
Sting. (Reminiscing piano delicately builds with bass clarinet, celeste and strings.)
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33.
QUESTIONS AND DOUBTS-Underscore-
03:42
Alternative, lighter version with piano and strings. (Delicate, cyclic piano into mysterious, foreboding orchestra. Moments of hope lead to wistful end.)
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34.
QUESTIONS AND DOUBTS-Others-30s
00:30
30 second cut. (Delicate, cyclic piano into mysterious, foreboding orchestra. Moments of hope lead to wistful end.)
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35.
QUESTIONS AND DOUBTS-Others-10s
00:11
Sting. (Delicate, cyclic piano into mysterious, foreboding orchestra. Moments of hope lead to wistful end.)
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36.
RENAISSANCE-Underscore-
02:22
Alternative smaller arrangement. (Forlorn, pensive chamber orchestra grows more hopeful to positive end.)
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37.
RENAISSANCE-Others-30s
00:30
30 second cut. (Forlorn, pensive chamber orchestra grows more hopeful to positive end.)
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38.
RENAISSANCE-Others-30s
00:30
Alternative 30 second cut. (Forlorn, pensive chamber orchestra grows more hopeful to positive end.)
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39.
RENAISSANCE-Others-10s
00:08
Sting. (Forlorn, pensive chamber orchestra grows more hopeful to positive end.)
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40.
RENAISSANCE-Others-10s
00:09
Sting. (Forlorn, pensive chamber orchestra grows more hopeful to positive end.)
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41.
THE SHIPPING REPORT-Underscore-
02:52
Alternative stripped down version. (Anxious and apprehensive into reassuring, gently buoyant and beautiful strings theme.)
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42.
THE SHIPPING REPORT-Underscore-
02:41
Alternative minimal version. (Anxious and apprehensive into reassuring, gently buoyant and beautiful strings theme.)
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43.
THE SHIPPING REPORT-Others-30s
00:30
30 second cut. (Anxious and apprehensive into reassuring, gently buoyant and beautiful strings theme.)
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44.
THE SHIPPING REPORT-Others-30s
00:30
Alternative stripped down 30 second cut. (Anxious and apprehensive into reassuring, gently buoyant and beautiful strings theme.)
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45.
THE SHIPPING REPORT-Others-30s
00:30
Alternative 30 second cut. (Anxious and apprehensive into reassuring, gently buoyant and beautiful strings theme.)
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46.
THE SHIPPING REPORT-Others-10s
00:10
Flute and pizz sting. (Anxious and apprehensive into reassuring, gently buoyant and beautiful strings theme.)
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47.
THE SHIPPING REPORT-Others-10s
00:10
Lush orchestra sting. (Anxious and apprehensive into reassuring, gently buoyant and beautiful strings theme.)
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48.
THE SHIPPING REPORT-Others-10s
00:10
Smaller lush orchestra sting. (Anxious and apprehensive into reassuring, gently buoyant and beautiful strings theme.)
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49.
EVOLVING PHASES-Stem-
02:34
Solo piano version. (Unsure and troubled into moment of hope. Brooding end. Piano and string orchestra.)
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50.
EVOLVING PHASES-Stem-
02:41
Strings only version. (Unsure and troubled into moment of hope. Brooding end. Piano and string orchestra.)
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51.
EVOLVING PHASES-Others-30s
00:30
30 second cut. (Unsure and troubled into moment of hope. Brooding end. Piano and string orchestra.)
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52.
EVOLVING PHASES-Others-30s
00:30
Alternative 30 second cut. (Unsure and troubled into moment of hope. Brooding end. Piano and string orchestra.)
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53.
EVOLVING PHASES-Others-10s
00:10
Sting. (Unsure and troubled into moment of hope. Brooding end. Piano and string orchestra.)
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54.
EVOLVING PHASES-Others-10s
00:10
Sting. (Unsure and troubled into moment of hope. Brooding end. Piano and string orchestra.)
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55.
COMPLICITE-Stem-
02:29
Solo piano version. (Worried, introspective piano with brief sense of relief before unresolved end.)
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56.
COMPLICITE-Others-30s
00:30
30 second cut. (Worried, introspective piano with brief sense of relief before unresolved end.)
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57.
COMPLICITE-Others-10s
00:10
Sting. (Worried, introspective piano with brief sense of relief before unresolved end.)