-
1.
Hypnotized-Main Track-Full Length
03:12
Heartfelt intimate piano tones drift along with a hypnotizing erotic voice, as silky and smooth as dark crimson velvet. Touching, gloomy, seriously emotional, a cross between desperation and the most wonderful melancholy. Unanswered love. Painful memories, F minor, 64 BPM
-
2.
Hypnotized-Alternative Version-Full Length
03:12
Additional soft pad spending a little more hope, F minor, 64 BPM
-
3.
Hypnotized-Instrumental-Full Length
03:11
Dark instrumental, F minor, 64 BPM
-
4.
Hypnotized-Instrumental-Full Length
03:11
Soft pad instrumental, F minor, 64 BPM
-
5.
Take Me Home-Main Track-Full Length
03:26
Sensually touching vocal ballad. Minimalistic indie guitar backdrop. Tiny drums of a third kind. The feeling of stinging loneliness. Stroke of fate. Gradual isolation, E minor, 65 BPM
-
6.
Take Me Home-Alternative Version-Full Length
03:26
Soft pad underlay. Brushed drums, E minor, 65 BPM
-
7.
Take Me Home-Instrumental-Full Length
03:26
Dark instrumental, E minor, 65 BPM
-
8.
Take Me Home-Instrumental-Full Length
03:26
Soft pad underlay. Brushed drums instrumental, E minor, 65 BPM
-
9.
Frozen In Time-Main Track-Full Length
03:34
An enigmatic soundtrack of deeply unfulfilled romance. Melancholic, desperately longing female voice contrasting with an orchestral backdrop of epic size. Brass. Driving beat. Angelic quality. Escape from reality into dreams, D minor, 85 BPM
-
10.
Frozen In Time-Alternative Version-
03:11
Deconstruction. No Drums. No orchestral backdrop, D minor, 85 BPM
-
11.
Frozen In Time-Instrumental-Full Length
03:34
Underscore. No female lead, D minor, 85 BPM
-
12.
Frozen In Time-Instrumental-
03:11
Dark instrumental, D minor, 85 BPM
-
13.
She Moves-Main Track-Full Length
03:00
Atmospheric and cryptic U.K. indie-pop hymn featuring a distinct, blues-driven female vocal performance. Claps. Intensely minimalistic arrangement. Neo-romantic drama heading towards a long-awaited sunrise, A minor, 68 BPM
-
14.
She Moves-Alternative Version-Full Length
02:57
No drums. No pads, A minor, 68 BPM
-
15.
She Moves-Instrumental-Full Length
03:00
No Vocals. Drums, A minor, 68 BPM
-
16.
She Moves-Instrumental-Full Length
02:57
Dark instrumental. No drums, A minor, 68 BPM
-
17.
I Will Rise Up Now-Main Track-Full Length
03:18
Burn out after a long emotional journey, written and directed by life. Female Empowerment. Dark cinematic piano chords like magma. Reverse guitar tones. Angelic girl voice of great intimacy and innocence, G minor, 114 BPM
-
18.
I Will Rise Up Now-Alternative Version-
03:22
Neo-dance version. Sportive Kick. Celestial pads, G minor, 114 BPM
-
19.
I Will Rise Up Now-Instrumental-Full Length
03:18
Underscore. No voice, G minor, 114 BPM
-
20.
I Will Rise Up Now-Instrumental-
03:22
Underscore. Drums. No Vocals, G minor, 114 BPM
-
21.
Ashes-Main Track-Full Length
02:37
Deeply romantic ambient pop. Atmospheric, drifting on dark soundclouds. The last moments of togetherness slowly fading into pitch black. R?sum? of a heavenly beautiful female voice, D minor, 128 BPM
-
22.
Ashes-Alternative Version-
02:42
Additional electric guitars. Almost funky. Sportive double-time drums contrasting with textural melancholia. Flageolet guitars reminiscing indie-pop greatness, D minor, 128 BPM
-
23.
Ashes-Instrumental-Full Length
02:37
Dark instrumental. No drums. No Voice, D minor, 128 BPM
-
24.
Ashes-Instrumental-
02:42
Underscore. No Vocals, D minor, 128 BPM
-
25.
In Between The Clouds-Main Track-Full Length
02:21
Dark piano ballad of great simplicity and innocence. Lo-Fi nostalgia. Escaping this world. Ethereal vocals arrangements painting a bewildering picture, C minor, 83 BPM
-
26.
In Between The Clouds-Alternative Version-
02:27
Additional guitars and pads, C minor, 83 BPM
-
27.
In Between The Clouds-Instrumental-Full Length
02:21
Dark instrumental. No guitars. No voices. Vinyl noise floor. Gently epic, C minor, 83 BPM
-
28.
In Between The Clouds-Instrumental-
02:27
Underscore. No vocals, C minor, 83 BPM
-
29.
Too Late Now-Main Track-Full Length
02:30
Enigmatic hypnotizing song with a very colorful chorus. Deep, dry bass tones. Rain dilutes bitter tears. Minimalistic, beautifully sounding arrangement. Moderately building with pads and abstract drums, G minor, 70 BPM
-
30.
Too Late Now-Alternative Version-Full Length
02:27
Bass. No guitars. No drums. No pads. The reduction makes the vocals and harmonies shine like a precious jewel, G minor, 70 BPM
-
31.
Too Late Now-Instrumental-Full Length
02:30
Underscore. No vocals, G minor, 70 BPM
-
32.
Too Late Now-Instrumental-Full Length
02:27
Bass. Pure. Dark minimalist. No drums. No pads. No guitar. No vocals. No love, G minor, 70 BPM
-
33.
All The Things-Main Track-Full Length
02:37
Stark vocal ballad. Intense. Existential bass. Reversing soundclouds trying to suck you in. Uncontrollable emotions. A heartfelt lament to the god of love, D minor, 110 BPM
-
34.
All The Things-Alternative Version-Full Length
02:37
Ethereal pads shimmering, heavenly synth clouds of a third kind, D minor, 110 BPM
-
35.
All The Things-Instrumental-Full Length
02:37
Underscore. No Vocals, D minor, 110 BPM
-
36.
All The Things-Instrumental-Full Length
02:37
Underscore. Ethereal pads shimmering, heavenly synth clouds of a third kind. Distant backing vocals, D minor, 110 BPM
-
37.
Forever-Main Track-Full Length
03:14
Love at first sight. A mysterious yet heartfelt feeling overcomes you staring into the eyes of a stranger. Galaxies opening. A devoted indie-pop ballad that will carry you away, D minor, 71 BPM
-
38.
Forever-Alternative Version-Full Length
03:14
No electric guitar, D minor, 71 BPM
-
39.
Forever-Instrumental-Full Length
03:14
Underscore. No Vocals, D minor, 71 BPM
-
40.
Forever-Instrumental-Full Length
03:14
Dark Instrumental. No Guitar. No Vocals, D minor, 71 BPM